During my recent trip to New York City, I had the great pleasure of visiting the Metropolitan Museum of Art and the New-York Historical Society. I try to visit the Met every time I’m in New York to see the special exhibits and some of my favorites (Vermeer, Van Gogh, Emanuel Leutze’s Washington Crossing the Delaware). As the Met is so large, I never have time to see everything and am able to see different things each time.
When I’m in New York, I occasionally visit the New-York Historical Society depending on what special exhibits they have. With an exhibit on the Battle of Brooklyn (Battle of Long Island), the NYHS was on my long list of things to do during my brief visit to New York.
I visited the New-York Historical Society first. When I entered Dexter Hall, the main painting gallery of the museum on the second floor, I was pleasantly surprised to and see my favorite paintings: Thomas Cole’s five-painting-series The Course of Empire (1833-1836).
A brief intro for those who don’t know about these paintings. The Course of Empire shows the rise and fall of an empire. Thomas Cole clearly had ancient Rome as his inspiration but painted them as a warning to the United States to not follow the same course. Thomas Cole starts with The Savage State (1834) where the landscape is in its natural state with just a few nomads in view, moves on to The Arcadian or Pastoral State (1834) as farmers move in and start to develop agriculture, jumps to The Consummation of Empire (1836) with the great wealth and power of an imperial city on display, declines into Destruction (1836) as the empire falls and the city is destroyed by barbarians, and concludes with Desolation (1836) where all that remains are the ruins of a formerly great city.
Thomas Cole’s The Arcadian or Pastoral State [New-York Historical Society] (image courtesy of Wikimedia)

Thomas Cole’s The Consummation of Empire [New-York Historical Society] (image courtesy of Wikimedia)

Michael E. Newton with copy of The Path to Tyranny in front of Thomas Cole’s The Consummation of Empire [New-York Historical Society] (© Jay G. Newton)

Michael E. Newton with copy of The Path to Tyranny in front of Thomas Cole’s Destruction [New-York Historical Society] (© Jay G. Newton)
A few days later I made my customary trip to the Metropolitan Museum of Art. I was there mainly for their special exhibits on Jerusalem 1000–1400: Every People Under Heaven and Valentin de Boulougne: Beyond Caravaggio, but wandered through my favorite parts of the museum. They recently rearranged some of the European art. One such room (Gallery 613) is now called “The Salon on the Eve of the Revolution.” Here, I happened across a painting I had either never seen before or just never noticed, Carle Vernet’s The Triumph of Aemilius Paulus (1789).
I was immediately struck by how similar the triumphal parade in this painting is to that in Cole’s The Consummation of Empire.
Thomas Cole’s The Consummation of Empire [New-York Historical Society] (image courtesy of Wikimedia)
Art experts, feel free to comment on the similarities and differences between these two painting or to suggest common inspiration for both works.
N.B. Thank you to art historian Dianne Durante for your critique and advice.
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